Migr:
Я же говорю, что музыка и последующий вокал не стыкуются..
отлично стыкуются
вообще почти идеально... даже слишком (но весь их прежний авангардизм к этому альбому уже сходил на нет)
и структура чисто песенная, хоть и сильно развёрнутая, "прогрессивная"
и не знаю с чего вы вообще взяли, что посвящение и слова возникли сильно позже...
The song was conceived and written as a tribute and remembrance to Pink Floyd founder member Syd Barrett. Barrett was eased out of the band in 1968 because his drug use and deteriorating mental health were affecting his ability to integrate with the other band members and create and perform as a musician. He was replaced by his former school friend David Gilmour, who had initially been brought in as second guitarist. The remaining members of the band felt guilty about having removed him, but although they admired Barrett's creativity, they were concerned about his severe mental decline and felt it had been necessary. "Shine on You Crazy Diamond" was first performed on Pink Floyd's 1974 French tour and was recorded for their 1975 concept album Wish You Were Here. The track was originally intended to be a side-long composition, like "Atom Heart Mother" and "Echoes", but was ultimately split into two parts and used to bookend the album, with other newly composed material acting as a bridge.
...
In principle, the underlying theme of the song is the loss of Syd, the friend, and founder, the mad genius, the musician, the painter …, the one who one fine day they decided to leave because he was ruining their future as a band with its extravagances and outbursts produced by LSD and incipient mental illness; but there is more, and it is that Waters had already become the great lyricist that the band needed.
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Сaшa:
Ещё наблюдение, в жанре песни, чем меньше напускного, тем сильнее эффект.
Почему же песенный жанр и уходит корнями куда-то в традиционную культуру, в фольклор.
В примере же с Пинк Флойд наоборот, целую симфонию разыграли из песни в несколько строчек. Может от этого такой диссонанс.
здесь можно бы поспорить
"напускное" не равняется "развёрнутому"
напускное - это когда пафос преобладает над музыкой... и неважно, какая там структура и оркестровка
у Пинк Флойд такое случилось позже (начиная с диска "Энималз" уж точно) - но в этом альбоме они ещё пытались соблюсти баланс... с трудом, но пытались
